At the Grolier Club on the Upper East Side of Manhattan is a massive exhibit On Time: The Quest for Precision curated by Bruce Bradley. The exhibit presents the progress of timekeeping over six centuries through 86 rare books from the Linda Hall Library of Science, Engineering & Technology.
1624 La pratique et demonstration des horloges solaires
Journalist Allison Meier of Hyperallergic.com describes a number of books on display such as "German cartographer Sebastian Münster’s 1533 Horologiographia, the first book devoted to sundials, with woodcuts attributed to Hans Holbein the Younger." As shown in her photo, "French engineer Salomon de Caus’s 1624 La pratique et demonstration des horloges solaires has embedded pop-ups to make the workings of its sundials easier to replicate."
The scope of "On Time" stretches from sundials, to water clocks, mechanical clocks and even a Pilkington & Gibbs Heliochronometer, ending with our latest atomic clocks. The display flirts with the possible. While Benjamin Franklin may have suggested using hourly time-telling canon in the 18th century, Athanasius Kircher proposed a fanciful firing sundial a century earlier in his 1646 Ars magna lucis et umbrae in decem libros digesta. His bowl-shaped sundial holds gunpowder at the hours that is ignited by the rays of the sun from a lens. In turn the firing gunpowder triggers hammers to toll hourly bells. If one thinks about this for a moment, Kircher's proposal is as unrealistic as Franklin's. The change in solar declination creates problems for proper placement of the gunpowder, let alone directing the ignition to trigger hammers.
Allison observes that "These manuscripts affirm the centuries of shared ideas that give our modern timekeeping devices their precision." On Time: The Quest for Precision" continues through November 19, 2016.
What do Omega Psi Phi fraternity of Howard University Washington DC, Merton College in Oxford, Nashotah House Theological Seminary in Wisconsin, and Lewis Carroll's poem Jabberwocky all have in common? Dancing and ceremonies around a sundial! In Carroll's poem of 1885 "the slithy toves did gyre and gimble in the wabe" and as Alice explains to Humpty Dumpty, “Toves are curious creatures that are something like badgers, something like lizards, and something like corkscrews. They make their nests under sun-dials and live on cheese." and “Wabe is the grass-plot round a sun-dial. It is called like that because it goes a long way before it, and a long way behind it. And a long way beyond it on each side."
At Howard University in the center of the main campus quadrangle is a bronze sundial on a 3-foot fluted limestone pedestal, gifted in 1929 to the university in honor of Benjamin Banneker, surveyor of the city of Washington DC, clockmaker, and sundialist.
Grimm & Parker Architects sponsored a "Green Apple Day" on October 15, 2016 to help two Baltimore City Schools - Graceland Park ES/MS and Holabird Academy ES/MS - receive analemmatic sundials on their front sidewalks. The weather was perfect as teachers and volunteers from G&P chalked out and then painted simple 16 x 5 foot analemmatic sundials.
The sidwalks were aligned true North-South, making dial lay-out easy. With tape measures in hand, they marked out the focal points and north point of the analemmatic ellipse. Then, using the time-honored principle of constant distance they used a chalk line between those 3 points to maneuver a piece of chalk following the shape of an ellipse. For the sundial, the ellipse stretched from 5am to 7pm. The hour marks were made using two tape measure to check positions that were quickly followed by drawing of the hour circles with a plastic lid. While volunteers painted the hour circles others chalked out the walkway whose monthly lines and solstices were quickly painted as well. The final touch was the inclusion of the East and West Bailey points that determine the direction of the rising and setting sun. With a lot of support and good organization, both dials were finished in 3 hours!
Amid the rain and cloudy skies, on Saturday October 1st, 2016, a ribbon-cutting ceremony officially opened the Roll-Top Observatory at Observatory Park, Turner Farm in Great Falls, VA. Tim Hackman, Dranesville District representative of the Fairfax County Park Authority (FCPA) Board, introduced all those who made the Roll-Top observatory possible through public-community-and-private funding. Initiated in 2007 in collaboration with the Analemma Society, the million-dollar facility was funded in part by the 2008 and 2012 Park Bonds, telecommunications funds, Mastenbrook grant money and a donation provided by Jean and Rick Edelman through the Fairfax County Park Foundation.
Ground breaking for Roll-Top began in 2014 and over the next two years the Roll-Top Observatory design by architects Shaffer Wilson Sarver & Gray of Herndon, VA, was carried out by the construction company Brown and Root of Arlington, VA.
More than 25 years ago Robert diCurcio made a compound sundial. A small round horizontal dial is surrounded by a larger gnomonic dial engraved with hour lines in the shape of analemmas. Careful inspection of the dial shows that the lines are offset from the longitude of 70 degrees to account for the sun at the eastern time meridian of 75 degrees west. In "Yesterday's Island - Today's Nantucket" Katherine Brooks of the Maria Mitchell Association (MMA) takes a close look at the sundial in their front yard, sitting on the lawn of the Maria Mitchell Observatory on Vestal Street.
Here is a slight correction to the article's text: diCurcio set up the sundial perfectly level and oriented it so that the meridian-line is exactly north-south. [Hopefully aligned to true north, NOT magnetic north.] Once the dial is aligned the triangular gnomon will cast a shadow not only for the small horizontal dial telling east coast solar time, but the tip of the gnomon shadow points to the analemma, the “figure of eights”, which shows standard or daylight mean time (clock time). Installed by diCurcio, the sundial at the Maria Mitchell Association is accurate to this day. Brooks writes,"We hope you stop by the Maria Mitchell Vestal Street Observatory on Vestal Street to see the 1908 observatory built by the MMA and to test out the Sun d’Isle on the lawn in front. If reading shadows interests you, we encourage you to attend our Summer Speaker Series this Tuesday, August 30, to learn about the “Effects of Light at Night” with Dr. Mario E. Motta."
Compare the photo of the MMA sundial from Brook's article http://yesterdaysisland.com/what-is-this-a-sundial/ with the sundial photo above that appears in the NASS Sundial Registry at http://www.sundials.org/index.php/component/sundials/oneDial/513
In the old Roman Agora on the slope of Athen's ancient Acropolis hill is the Tower ofWinds. Today, completing two years of restoration, the interior was re-opened to the public this summer in August, 2016. The Tower had been closed for the last 200 years. The story of the Tower starts in the first century, BCE, probably during the reign of Julius Caesar.
The Tower was designed by Andronikos Kyrrhestos (Andronicus of Cyrrhus), an astronomer and maker of celestial instruments. Andronicus constructed a white marble sundial for the sanctuary of Poseidon and Amphitrite on the island of Tinos. The sundial becamse so famous that Andronicus was invited to Athens where he erected the magnificent 14 meter Tower called the Aerides (the Winds) . It was built on the eastern side of the Roman Agora in Athens and meant to have utilitarian value. "No one knows who funded its lavish construction - the octagonal monument is made almost entirely of Pentelic marble, the same used for the Parthenon and rarely found in buildings other than temples," said Stelios Daskalakis, head conservator.
Atop of the octogon tower now rests the fully-preserved roof made of 24 marble slabs, resting on a Corinthian capital. Once a bronze statue of Trition, the god of the sea, was set on the roof to turn in the wind as a weather indicator. By night, water flowed through a hydro-mechanical system designed by Andronicus from a cylinder inside the Tower. The water level lead to an exterior indicator creating a night time clock or clepsydra. During the day the Tower was a public time teller with eight sundials.
Michael Lee's photograph of Central Park started it all. Erika Owen (TravelandLeisure.com) wrote "If you think Central Park is only good for its slightly quieter reprieve from the hustle and bustle of the Big Apple, you're missing out. As it turns out, the park can actually be used as a giant sundial. Understandably, this isn't a universally accessible perk of the park...you'd need to be in an airplane or helicopter to truly appreciate the functionality."
Any vertical ediface such as a tall building, a flagpole, or even the Washington Monument can become a gnomonic sundial measuring time by the tip of their shadow. But seeing those shadows on the ground results in fuzzyness of the penumbral shadow. The solution? Step back, way back to a perspective of seeing the shadows from high in the air. From this view these giant sundials become visible. Owen continues, "Billionaire's Row, the name given to the skyscrapers lining the two blocks south of the park between Fifth Avenue and Central Park West gives off plenty of shadows..."
To see the shadows in motion, Cube Cities presents a short video "Central Park Shadows". Cube Cities specializes in urban city representations and animation software to create them. For example they visualize the growth of cities as Manhattan from the 1920s and the growth of San Franciso from 1977 to 2015 and Chicago from 1862 to 2014.