Sundials are used as memorials to signify light and hope. Some are in cemetaries and small parks, others are at scenic vistas, and others are integrated into the fabric of our cities and towns. All are important and lasting symbols.
On June 6th 2018, an interest memorial sundial was donated to the Clifford A. Phaneuf Environmental Center at Forest Park, MA just off U.S. 91 and a stone's throw from the Connecticut River. According to Mass Live (https://www.masslive.com/news/index.ssf/2018/06/new_sundial_at_forest_park_env.html), "During the public ceremony, the sculpted sundial was donated by the family of retired Hampden County Housing Court Judge Edward C. Peck Jr. and dedicated in memory of Peck's late wife, Ruth Mahoney Peck." The Peck family commissioned sculptor James Kitchen who created a run-patina steel sundial with the base of an old mill circular saw blade and setting a pipe wrench and ice skate blade welded together as gnomon. According to Burt Freedman, a retired teacher of the Environmental Center for Our Schools at Forest Park, the dial provides references to the industrial and agricultural history of Springfield and Forest Park.
The Hour Lines are short vanes of steel raised about 1" above the circular saw blade. A slight dome extends from the hour line circle to the center where the sundial gnomon sets. Although the 6am-6pm line meets the base of the gnomon, the fact that the gnomon is raised 2 or more inches above the saw blade, sets the virtual foot of the gnomon far back of the 6-6 line. Thus, although the sundial is esthetically beautiful and represents history of the area, perhaps it tells time with considerably more error than expected from the Equation of Time. [No longitude correction is provided, resulting in nearly 10 minutes of constant error.]
A memorial, the Arc of Memory, will be completed in 2018 on the west side of the Garden of Provinces and Territories in Ottawa. The design by Paul Raff's Sutdio is a "living calendar". Raff described the memorial as a way to “honour the 8 million Canadians that can trace their origins to countries that suffered oppressive regimes of communism by creating an instrument of memory.” In essence Raff is designing a huge digital sundial (or as he calls it, a "three dimensional calendar"). According to Erin Dommely of Azure Magazine, the memorial is constructed of two curving walls 4 x 21 meters containing 4,000 short bronze rods arranged in 12 dense rows across a series of 365 stainless steel fins. Erin describes the Arc of Memory's principle of having each rod uniquely angled towards the sun, whereby each hour of the day is illuminated each day of the year.
The two walls are split at the winter solstice and "On the darkest day of the year the design would invite visitors to step through in a metaphorical journey from darkness and oppression to lightness and liberty.”
Rochester, Michigan was settled in 1817 and is now celebrating its Golden Centennial with a sundial. The city is on the northern outskirts of Detroit, with more than thirteen thousand citizens. According to Natalie Broda, Rochester City Council approved $190,000 for the sundial, but the cost of the project is expected to exceed that due to the unstable, uncompacted ground that the heavy monument will sit on." The dial will be unveilled as part of the bicentennial homecoming envent scheduled for August 12, 2017.
Broda continues,""The sundial is the brainchild of Rochester’s city beautiful commission, which had been mulling the project over for several years according to Nik Banda, deputy city manager. The project was chosen after a request for proposals was sent out from city council." The sundial design was done by Russell Thayer, a sculpture artist from Franklin, Michigan.
The 20-foot tall gnomon of triangular cross section will be constructed with weathering steel, otherwise known as corten steel. Broda notes that this material was chosen to pay homage to the steel used throughout the old knitting mills of historic Rochester.
aewinc.com describes the surrounding hour marks as part of "Twenty stones [each weighing over 1000 pounds] within and surrounding the plaza have been carefully sited to celebrate twenty decades of history. The decorative stones are indigenous to Michigan and have colors that complement the gnomon; they will serve as both seating and focal elements, as well as [hourly] time markers for the sundial. Historic plaques will be placed on the stones highlighting historic events which occurred during each of the twenty decades." To increase the historical retrospective, reclaimed 100-year old bricks from historic Main Street buildings will be used to complete the circular plaza around the sundial monument.
Today it is snowing in Washington DC and it brings to mind a winter some 43 years ago when the Washington Monument was turned into a sundial. Over the years many have proposed turning this spiring monument into a sundial. For example at the first North American Sundial Society (NASS) Conference in 1995 Robert Terwilliger drew a map of the shadow's excursion from Independence Avenue to E Street NW, repeated here at left. In June 2011 in the NASS Quarterly Journal The Compendium Robert Kellogg suggested that "...the precise shadow lines drawn in [Terwilliger's map] are precise geometrical constructs. The problem is the sun is not a point source, but a disk about 1/2 degree in diameter. The result is the sun casts a penumbral (partial) shadow when it is partially obscured, resulting in a range of light to dark sunlight that blurs the edges of shadow, making a gradient from light to dark.
To get a feeling for the impact of the penumbral shadow from the Washington Monument, we start with a brief summary of the Monument: A competition was held in 1836 and won by architect Robert Mills who designed a tall obelisk. Excavation began in early 1848 and the cornerstone was laid as part of the 4th of July ceremony by the Freemasons. Lack of funds created a hiatus in construction in 1858, and finally the capstone to create a pyramidal point to the obelisk was laid December 6th, 1884. The obelisk as we see it today is 169.29 meters tall, 16.8 meters wide at the base and 10.5 meters wide at the start of the capstone pyramid. The pyramid itself is 17m tall, with a small aluminum capstone at the tip and by the time the sun is sufficiently blocked by the top of the oblesk for us to see the shadow, the sun is well below the tip.
In The Atlantic on-line issue of May 23, 2014 Robinson Meyer found that the Washington Monument captured the imagination of Google Map engineers: "Ken Norton, a partner in Google Ventures, reports that the digital shadow has reflected the real shadow’s position for about three years. [now, 6 years] It’s a fun accent, possible only with the kind of live, dynamic map that Google deploys...Google didn’t need to add the monument’s shadow, but it did, as a kind of homage to the world’s hidden-in-plain-sight details. Of course, Google’s unknown mapmaker wasn’t the first to notice the monument’s shadow. 'As an artist, one of the things that I do...and I think most artists traditionally have done...is point out things people don’t see.' ”
Which brings us back to the snowing day 43 years ago on February 11, 1974 when Yuri Schwebler decided to turn the Washington Monument into a sundial. In her article Meyer continues: "He was, by day, a newspaper layout designer...[but] before Google made its sundial for the screen, Schwebler turned the monument into a real (gigantic!) one in the winter of 1974:"
Schwebler said, "One day I realized I’d never seen the shadow of the Washington Monument because it’s so huge. And then one day I looked for it, and I saw it, and it moved. I was at the end of the shadow, and it moves about four feet every minute." His materials for such a transformation? According to CBS, $24, six feet of snow, and a plow on loan from the National Park Service. During the report, Schwebler, who died in 1990, is asked why he turned the monument into a sundial at all. His answer? "You can actually see the Earth move, or feel it move, by watching that shadow."
Click on the video above or watch it on YouTube at https://www.youtube.com/watch?v=_M5WXcVsfIk to see Walter Cronkite of CBS news report on the Washington Monument as a giant sundial.
Mathematics professor Jerry Duncan Taylor passed away in 2013, but his 46 years of teaching lives on at Campbell University in Buies Creek North Carolina just south of Raleigh. A commemorative sundial in front of Taylor-Bott Rogers Fine Arts Building was dedicated on Wednesday, March 21, 2016.
The highly polished dial, approximately 12 inches square, with an inclined bar gnomon sits on a plinth embedded in a low brick wall for all to see. There are time marks for every 10 minutes, with standard time given as Roman numerals and daylight savings time one hour later given in larger Arabic numbers.
Professor and mathematics department chair Meredith Williams recalled the start of his teaching career at Campbell: "I'm not sure I would have made it through my first semester without Dr. Taylor. I had an extremely challenging group of students in a class who were determined to see how hard they could push the new professor. Dr. Taylor always had an encouraging word for me before I went to class."
Rachel Davis quoted Provost Mark Hammond from the sundial dedication (http://www.campbell.edu/news/item/sundial-dedicated-to-late-math-professor) "We wanted something physical that we could see, celebrate, and reflect on him and the good man that he is and the way he has touched many of the people here... [his] very inspired spouse, Louise Taylor, thought that perhaps we could memorialize Jerry through a sundial. It gives us the time to pause and reflect and think about Jerry."
The large analemmatic sundial in front of the Harton Theater North Entrance of Southern Arkansas University (SAU) is being formally dedicated on Thursday, November 5th, 2016 in memory of the late David Thomas Smith, a 1957 SAU alum and retired assistant director of the SAU Physical Plant.
The Smith Sundial, funded by family and friends of David Smith was built by the SAU Department of Art and Design and engineers of the SAU Physical Plant. Patrick Finney was the construction supervisor and Steven Ochs was the project concrete art designer and craftsman. As described in the NASS Sundial Registry, Dial #800 is "a 22 by 17 foot analemmatic dial of stained concrete with Arabic hour numerals of polished brass. The dial perimeter and hour numerals are set in a blue decorative polymer "U" arc, appearing as a large mule shoe that represents the university Muleriders mascot symbol. Dial colors represent the royal blue and gold school colors."
As reported by Southern Arkansas University, "The Smith Sundial at SAU is one of only four Arkansas sundials that are registered on the North American Sundial Society, and the only one outside of Little Rock and North Little Rock. It is also the only sundial in the state that is [a monumental] analemmatic..."
Anthem Veterans Memorial
Sun Alignment on Nov 11th
[photo: Anthem Veterans Memorial Committee and Mike Spinelli]
The Anthem Veterans Memorial in Anthem, AZ was dedicated on November 11, 2011 at 11am (11-11-11 11:11:11) to honor the service and sacrifice of the United States armed forces and to provide a place of honor and reflection for veterans, their family and friends. Veterans gather here annually on November 11th to watch a solar alignment at 11:11am when the sun precisely illuminates The Great Seal of the United States. The memorial was designed by Renee Palmer-Jones, and constructed under the guidance of Project Engineer Jim Martin and construction expert Steve Rusch.
Bracewell Memorial Sundial at VLA
Photo Credit: NRAO/AUI/NSF
In 1961 Professor Ronald Bracewell at Stanford University created an X shaped array (called a “Chris-Cross array” for W.R. “Chris” Christiansen) using 32 10-foot diameter dish antennas to form a radio spectroheliograph nestled in the hills of Palo Alto, California.